翻訳と辞書
Words near each other
・ Viola odorata
・ Viola of Teschen
・ Viola organista
・ Viola palustris
・ Viola Patterson
・ Viola Paulitz
・ Viola Pavlasová
・ Viola pedata
・ Viola pedatifida
・ Viola pedunculata
・ Viola persicifolia
・ Viola Pettus
・ Viola pinetorum
・ Viola Pitts
・ Viola Poley
Viola pomposa
・ Viola praemorsa
・ Viola Profonda
・ Viola pubescens
・ Viola purpurea
・ Viola R. MacMillan
・ Viola Reggio Calabria
・ Viola reichenbachiana
・ Viola renifolia
・ Viola Richard
・ Viola riviniana
・ Viola Ross Napier
・ Viola rostrata
・ Viola rotundifolia
・ Viola Rowe Gross


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Viola pomposa : ウィキペディア英語版
Viola pomposa
__NOTOC__
The Viola pomposa (rarely confused or referred as the Violino pomposo) is a five stringed instrument developed around 1725. There are no exact dimensions applicable to all instruments used under this name, although in general the pomposa is slightly wider than a standard viola (that's why it is called pomposa). It uses four viola strings, tuned conventionally (C-G-D-A), with the addition of a high E string (usually a violin string), giving it a greater range than the orchestral viola; the trade-off comes in a sound which is slightly more resonant than a violin. The viola pomposa is played on the arm and has a range from C'2 to A'5 (or even higher) with fingered notes. Using harmonics, the range can be extended to C'7 depending on the quality of the strings. It should not be confused with the violoncello or viola da spalla.
Not to be confused to violoncello piccolo (read Paulinyi, 2012.〔Zoltan Paulinyi, ''(Sobre o desuso e ressurgimento da viola pomposa. )" Belo Horizonte: Per Musi, UFMG, v.25, 2012.〕 In English: Paulinyi, 2010).
Among the late Baroque and early Classical composers who used the instrument are Johann Sebastian Bach (1685-1750); Suite in D Major, BWV 1012 (designated "''a cinq cordes''"), Georg Phillip Telemann (1681-1767; two sections of Der Getreue Musikmeister), Johann Gottlieb Graun (c. 1703-1771; a double concerto with flute), Christian Joseph Lidarti (1730-1795; at least two sonatas).
By 1800, the instrument was used by principals of major orchestras, although no written scores were published in that century, apart from antiquarian or modernized editions (one of the Lidarti sonatas, heavily edited and with an added cadenza, was republished around 1904).
Late in the twentieth century, several contemporary composers independently rediscovered its potential because of the development of the new synthetic strings, more stable and cheaper than the gut ones. Recent music for the instrument includes works by Justin E.A. Busch, Harry Crowl, Rudolf Haken, and Zoltan Paulinyi. Paulinyi, a composer and researcher of the viola pomposa, collects information about the instrument, its repertoire, performers and luthiers. Paulinyi's compositions for viola pomposa are edited by MusicaNeo.〔Zoltan Paulinyi, ''Catalogue'', http://paulinyi.com/obras_ingles.html.〕
==Notes==


抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Viola pomposa」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.